I utilized the EQ in and out switches on the 4400 to better understand the direction the tuning was going. I then listen to a variety of musical programs that I am familiar with so as to make any final tweaks to the White 4400 equalization using the my own subjective taste. The equalization I arrived at was a balance between the weight curves. These included “A” (human ear), “B” (A with more lows), “C” (high and low filter), and “Z” (linear). I utilized all the frequency weighting curves at my disposal in order to give myself a wider reference. On the PAZ Analyzer I utilized the Peak Hold mode and reset it every time I made an adjustment so it would reflect the equalization. I manipulated the White 4400 Monitor Bus Equalizer to push frequencies that were being eaten up by the room and also pull down frequencies that were overly resonant in the room. The goal is to flatten the frequency response in the room. I set the PAZ low frequency resolution to 10Hz and the Detection to Peak. Set gain levels for optimum input on the B&K mic, the VP26 preamp and the input to PAZ Analyzer. Produced pink noise with Pro Tools signal generator at -18db. Not inserted on feed to Dangerous Monitor because I did not wish to have it color all my listening buses, such as headphones and alt monitoring. White EQs are inserted between the Dangerous Monitor Section and the Focal Studio Mains. Volume was set to my preferred listening level so as to be pertinent to my listening habits Features introduced by the plugin will remain functional even if you switch themes. Plus, updates won’t overwrite existing functions, saving you time and effort. WordPress plugin WP User Manager version prior to 2.6. WordPress plugin is an application plugin. WordPress is a blogging platform developed using the PHP language.
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Preamp: Jeff Steiger CAPI VP 26 API Style preampīruel & Kjaer were quick to send me a PDF of the 2235 manual when I requested it on their web site support portal. DTRC Studio Room Analysis and Tuning Session
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